Anke-Marie Lohmeier Hermeneutische Theorie des Films (Hardback)-image

Anke-Marie Lohmeier Hermeneutische Theorie des Films (Hardback)

$ 96.4

Item Height: 234mm Item Length: 9.1 in Subject Area: Performing Arts, Language Arts & Disciplines, Photography Release Date: 05/02/1996 EAN: 9783484340428 ISBN: 9783484340428 Author: Anke-Marie Lohmeier Subject: Film / General, Communication Studies, Library & Information Science / General, Journalism, Film / Direction & Production, Techniques / Cinematography & Videography Type: Textbook ISBN-10: 3484340428 Publication Year: 1996 gtin13: 9783484340428 Genre: Language & Reference Number of Pages: 394 Pages Format: Hardcover Item Weight: 18 Oz Country of Origin: DE Publisher: DE Gruyter Gmbh, Walter Release Year: 1996 Book Title: Hermeneutische Theorie des Films Language: German Series: Medien in Forschung Und Unterricht. Serie a Ser. Item Width: 6.1 in Edition: Reprint 2012 ed. Publication Name: Hermeneutische Theorie Des Films

Description

Further Details Title: Hermeneutische Theorie des Films Condition: New Format: Hardback ISBN-10: 3484340428 EAN: 9783484340428 Author: Anke-Marie Lohmeier ISBN: 9783484340428 Edition: Reprint 2012 ed. Publisher: de Gruyter Release Date: 05/02/1996 Genre: Language & Reference Topic: Society & Culture, Social Sciences, Films & TV Language: German Country/Region of Manufacture: DE Item Height: 234mm Item Length: 156mm Item Width: 22mm Item Weight: 730g Series: Medien in Forschung Und Unterricht. Serie a Type: Dictionaries & Thesauruses Description: Die Arbeit entwickelt erstmals eine von hermeneutischen Grundannahmen geleitete systematische Theorie des Films und reflektiert deren methodische Konsequenzen fr die Analyse und Interpretation von Filmen. Ausgehend von einer - die Distanz zu filmsemiotischen Theoremen begrndenden - Explikation des semiotischen Status ikonischer Zeichen und auf der Grundlage einer sprechakttheoretischen Bestimmung filmischer Kommunikation (Kap. I) werden die wichtigsten Strukturen filmischer Informationsvergabe einer theoretischen und methodenpraktischen Reflexion unterzogen. Fr die Formen des Kameraverhaltens (Kap. II) wird ein Kategorienraster entwickelt, das Mglichkeiten ihrer funktionalen Qualifizierung erffnet. Die Formen filmischer Montage (Kap. III) werden im Rekurs auf den Begriff des Textschemas klassifiziert und systematischer Erfassung zugnglich gemacht. Die Bestimmung filmischer Erzhlsituationen (Kap. IV) reformuliert literaturwissenschaftliche Begriffe fr filmwissenschaftliche Belange. Entsprechendes gilt fr das Verfahren dramatischer Informationsvergabe und Formen der Perspektivenstruktur im Film (Kap. V, VI), die - mit Ausnahme der (ber humanethologische und soziologische Kategorien erfaten) nonverbalen Kommunikation - im Rekurs auf dramentheoretische Begriffe expliziert werden. Die abschlieende Rekonstruktion uneigentlicher Bilderrede (Kap. VII) weist deren metalogische (den sprachlichen figurae sententiae analoge) Struktur nach und entwickelt fr die Beschreibung ihrer Formen eine neue Explikation der Begriffe 'Allegorie' und 'Symbol'. Read more Continue reading Read less Release Year: 1996 Missing Information? Please contact us if any details are missing and where possible we will add the information to our listing.

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